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DTSTART;TZID=America/Halifax:20190505T133000
DTEND;TZID=America/Halifax:20190505T180000
DTSTAMP:20260502T202758
CREATED:20181205T015705Z
LAST-MODIFIED:20181205T015705Z
UID:10003706-1557063000-1557079200@cathedralofhope.org
SUMMARY:Hope Academy Spring Recitals #1
DESCRIPTION:The following studios will have recitals on SUN May 5 \n\n\n3:30 pm     Ben Barson (Saxophone\, Clarinet and Ensemble) \n3:30 pm     Doris Weir and Agnieska Sornek (piano) \n5:30 pm     Gizelxanath Rodriguez (voice) \n\n\nRecitals are special occasions designed to give students a chance to share their music and gain valuable performance experience. They provide a benchmark to measure growth from year to year\, and an incentive for students to practice and polish pieces they are working on. \nThere will be many recital sessions scheduled throughout the day in various rooms throughout the church building. Please do not ask to have your child perform at the beginning or the end of their recital session – students and families are expected to be on time and stay for the entire recital that their children are performing in. We are organizing the recital sessions to be about an hour long. \nCOOKIE RECEPTION \nEach family is asked to bring cookies for a reception that will follow the recital. There will be two reception rooms in the front hallway\, leading to the Sanctuary. Rooms will be labeled so that cookies can be placed in the room that corresponds to the student’s studio. Please bring cookies only. It is best if they are on a disposable tray. \nRECITAL ETIQUETTE \nLearning about and practicing recital etiquette is an important part of a student’s musical education\, so we ask that families read and discuss these guidelines with their children. \nPerformer Etiquette \n\nDress appropriately. Choose conservative over casual in terms of shoe styles\, hem length of dresses and straps for tops.\nAvoid jewelry that makes noise as you move; heels that are difficult to walk in; and sleeves that get in the way of playing.\nBe on time. Your teacher will let you know when and where to meet before the recital to warm up. This will be at least 30 minutes prior to the start of the recital. If you are playing with an accompanist\, you may be asked to arrive earlier to rehearse together.\nBe prepared. Make sure you have your music\, instrument and any necessary accessories before leaving home (bow\, rosin\, capo\, tuner\, etc.)\nBe respectful. Refrain from whispering\, talking\, or using electronic devices. Show the other performers the same courtesy you want to be shown.\nEnter and exit with confidence. You should bow at the end and acknowledge the accompanist (if you have one). Teachers will go over this in lessons.\n\nAudience Etiquette \n\nArrive on time or a little early. Late arrivals are distracting to the audience\, and they can be unnerving for the performer.\nTurn off cell phones and other electronic devices. Ring tones and electronic chirps are distracting; and texting\, reading emails and playing games while students are performing is disrespectful.\nDo not cause distractions. Bring something (a quiet game or book) to keep young children under 8 years old occupied. Children over 8 should be able to sit quietly and watch.\nTake disruptive infants or toddlers out of the recital as soon as they become fussy. Please sit close to an aisle so that you can leave without too much commotion. We will come to get you when your child performs.\nDo not talk\, whisper\, rattle papers or eat during the recital.\nStay for the entire performance to show respect for all of the musicians.\n\nPhotos and Video \n\nNo flash photography\, please\nA group photo\, with the teacher\, will be taken at the end of each recital session.
URL:https://cathedralofhope.org/event/hope-academy-spring-recitals-1/
CATEGORIES:Hope Academy
ATTACH;FMTTYPE=image/jpeg:https://cathedralofhope.org/wp-content/uploads/2018/12/Brianna-Piano-for-Recital-Photo-Cropped.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190506T193000
DTEND;TZID=America/Halifax:20190506T210000
DTSTAMP:20260502T202758
CREATED:20190425T221825Z
LAST-MODIFIED:20190425T221825Z
UID:10004832-1557171000-1557176400@cathedralofhope.org
SUMMARY:Chamber Music Pittsburgh - Bendix-Balgley\, Levin & Wiley
DESCRIPTION:Hope Academy families are invited to a chamber music concert featuring Noah Bendix-Balgley. Tickets have been generously donated to us by our partner\, Chamber Music Pittsburgh. This performance is recommended for students whose attention span and behavior is equivalent to an 8 year old.Please read about the performance\, so that you know what to expect; and the etiquette guidelines\, so that you understand the expectations; then RSVP here by Wednesday May 1 at 12 noon. \nTo RSVP\, click HERE \nNoah Bendix-Balgley\, violin\nRobert Levin\, piano\nPeter Wiley\, cello \nPROGRAM\nSchubert – Piano Trio No. 1 in B-flat major\, D. 898\nSchubert – Piano Trio No. 2 in E-flat major\, D. 929 \nNOAH BENDIX-BALGLEY \nFirst Concertmaster of the Berliner Philharmoniker\, Noah Bendix-Balgley has thrilled and moved audiences around the world with his performances. Since becoming a Laureate of the 2009 Queen Elisabeth Competition in Brussels and gathering top prizes at further international competitions\, Noah has appeared as a soloist with the Pittsburgh Symphony Orchestra\, the Orchestre Philharmonique de Radio France\, the Orchestre National de Belgique\, the Utah Symphony\, the Auckland Philharmonia\, and the Nagoya Philharmonic. In 2016\, Noah performed the world premiere of his own klezmer violin concerto\, Fidl-Fantazye with the Pittsburgh Symphony\, conducted by Manfred Honeck. Recent and forthcoming highlights include his concerto debut with the Berliner Philharmoniker in January 2018\, recital tours in Taiwan\, China\, and Europe and performances of his klezmer concerto with orchestras in the USA and with the China Philharmonic\, as well as his period instrument debut\, performing the Beethoven Violin Concerto with the Apollo’s Fire Orchestra in Cleveland. \nFrom 2011 until 2015\, Noah was Concertmaster of the Pittsburgh Symphony Orchestra. His Pittsburgh debut recital in January 2012 was named the “Best Classical Concert of 2012” by the Pittsburgh Post-Gazette. Noah also performed his own version of “The Star-Spangled Banner” for solo violin in front of 39\,000 fans at the 2013 Pittsburgh Pirates Opening Day at PNC Park. \nBorn in Asheville\, North Carolina\, Noah began playing violin at age 4. At age 9\, he played for Lord Yehudi Menuhin in Switzerland. Noah graduated from the Indiana University Jacobs School of Music and the Munich Hochschule. His principal teachers were Mauricio Fuks\, Christoph Poppen\, and Ana Chumachenco. In his spare time\, he enjoys playing klezmer music. He has played with world-renowned klezmer groups such as Brave Old World\, and has taught klezmer violin at workshops in Europe and in the United States.Noah performs on a Cremonese violin made in 1732 by Carlo Bergonzi. \nROBERT LEVIN \nPianist and Conductor Robert Levin has performed throughout the United States\, Europe\, Australia and Asia. His solo engagements include the orchestras of Atlanta\, Berlin\, Birmingham\, Boston\, Chicago\, Cleveland\, Detroit\, Los Angeles\, Montreal\, Utah and Vienna on the Steinway with such conductors as Semyon Bychkov\, James Conlon\, Bernard Haitink\, Sir Neville Marriner\, Seiji Ozawa\, Sir Simon Rattle and Esa-Pekka Salonen. On period pianos he has appeared with the Academy of Ancient Music\, English Baroque Soloists\, Handel & Haydn Society\, Orchestra of the Age of Enlightenment and the Orchestre Révolutionnaire et Romantique\, with Sir John Eliot Gardiner\, Christopher Hogwood\, Sir Charles Mackerras\, Nicholas McGegan\, and Sir Roger Norrington. \nA passionate advocate of new music\, Robert Levin has commissioned and premiered a large number of works. He has recorded the complete piano music of Dutilleux for ECM and joined pianist Ursula Oppens in a CD of Bernard Rands’ piano music for Bridge.  A renowned chamber musician\, his completions of Mozart fragments are published by Bärenreiter\, Breitkopf & Härtel\, Carus\, Peters\, and Wiener Urtext Edition\, and recorded and performed throughout the world. \nPETER WILEY \nCelebrated for his “accurate intonation and warmth of tone” (New York Times)\, Grammy-nominated cellist Peter Wiley attended the Curtis Institute at just 13 years of age\, under the tutelage of David Soyer. He continued his precocious accomplishments with his appointment as principal cellist of the Cincinnati Symphony at age 20\, after one year in the Pittsburgh Symphony.  He made his concerto debut at Carnegie Hall in 1986 with the New York String Orchestra conducted by Alexander Schneider. As a recitalist he has appeared at the Metropolitan Museum of Art and Lincoln Center’s Alice Tully Hall. A member of the Beaux Arts Trio from 1987 to 1998\, Mr. Wiley succeeded his teacher\, David Soyer\, as cellist of the Guarneri String Quartet from 2001 to 2009. He is also a member of the piano quartet Opus One\, with Ida Kavafian\, Steven Tenenbom and Anne-Marie McDermott. Mr. Wiley has enjoyed a long-term association with the Marlboro Music Festival and is currently on the faculties of the Bard College Conservatory of Music\, the University of Maryland\, and the Curtis Institute of Music. \nHOW TO BE A GOOD AUDIENCE MEMBER \nIt is important that audience members remain quiet during the performance. Since music is mostly a listening activity\, any extra sounds that are not part of the music can get in the way and will distract and disturb the musicians and other audience members. \nBefore the Concert \n\nWear something you might wear to a special event – because it is!.\nPlease don’t wear anything that might be distracting (light up shoes\, clanging jewelry\, etc)\nArrive no later than 7:00 pm to get your tickets.\n\nBefore You Take Your Seat \n\nTake care of all rest room needs\nLeave all food\, drink\, and gum outside\, in the lobby.\nLeave all cameras and recording devices outside\, as well.\nThere are strict copyright guidelines about recording concerts.Turn off all cell phones\, pagers\, ipads\, watch sounds\, alarms\, or anything that might make a noise.\nThe only sounds that should be heard are the ones that appear in the musical score (and the audience reaction after the music).\n\nOnce You Take Your Seat \n\nA parent or guardian must sit next to each child.\nRemain seated and quiet while the musicians are playing.\nDo not get up during the concert or change seats.\nNo talking\, whispering\, sighing\, tapping or kicking feet\, or rattling of programs or papers.\nBe sure to sit without fidgeting so you don’t distract your neighbors or the performers on stage.\nFeel free to leave during intermission\, if this is a late night for your children; and if they fall asleep during the concert\, that’s okay too. This should be an enjoyable experience for them\, and you!
URL:https://cathedralofhope.org/event/chamber-music-pittsburgh-bendix-balgley-levin-wiley/
LOCATION:Carnegie Music Hall\, 4400 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Hope Academy
ATTACH;FMTTYPE=image/jpeg:https://cathedralofhope.org/wp-content/uploads/2019/04/Noah-Bendix-Bagley.jpg
ORGANIZER;CN="Chamber Music Pittsburgh":MAILTO:info@chambermusicpittsburgh.org
GEO:40.4431957;-79.949915
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carnegie Music Hall 4400 Forbes Ave Pittsburgh PA 15213 United States;X-APPLE-RADIUS=500;X-TITLE=4400 Forbes Ave:geo:-79.949915,40.4431957
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190512T133000
DTEND;TZID=America/Halifax:20190512T193000
DTSTAMP:20260502T202758
CREATED:20181205T020551Z
LAST-MODIFIED:20181205T020551Z
UID:10003708-1557667800-1557689400@cathedralofhope.org
SUMMARY:Hope Academy Spring Recitals #2
DESCRIPTION:The following studios will have recitals on SUN May 12 \n\n\nSOCIAL HALL\n1:30 pm Kathleen Andrews (Suzuki Violin) with Grace Burns accompanist\nWarm up at 12:30 in SOCIAL HALL\nReception in SOCIAL HALL on basement level \nSANCTUARY\n1:30 pm Jennifer O’Konski (Suzuki Violin) and Pat Pavlack (Piano)\nWarm up Sanctuary – O’Konski 12:45 / Pavlack 1:15\nReception – GARTH OVERLOOK on !st floor \nSANCTUARY\n3:30 pm Helga Scheibert and Lee Kikuchi (Piano)\nWarm up Sanctuary – Scheibert 2:30 / Kikuchi 3:00\nReception – FELLOWSHIP on 1st floor \nMUSIC ROOM\n3:30 pm Emma Cox (Guitar) / Ryan McMasters (Bass)\nWarm up Music Room – Cox 2:30 / McMasters 3:00\nReception – MUSIC ROOM on 3rd floor \nCHAPEL\n4:00 pm Beth Goldstein McKee (Suzuki Cello) / Ana Diaz (Cello) with Grace Burns accompanist\nWarm up Chapel – McKee 2:30 / Diaz 3:30\nReception – GARTH OVERLOOK on 1st floor \nSANCTUARY\n5:30 pm Brittany Trotter (Flute) with Helga Scheibert accompanist\nWarm up Sanctuary – 4:30\nReception – FELLOWSHIP on 1st floor \nMUSIC ROOM\n5:30 pm Jeremy Colbert and Gil Teixiera (Guitar\, Ukulele\, Voice)\nWarm up Music Room – 4:30 Colbert / 5:00 Teixiera\nReception – MUSIC ROOM on 3rd floor \n\n\nRecitals are special occasions designed to give students a chance to share their music and gain valuable performance experience. They provide a benchmark to measure growth from year to year\, and an incentive for students to practice and polish pieces they are working on. \nThere will be many recital sessions scheduled throughout the day in various rooms throughout the church building. Please do not ask to have your child perform at the beginning or the end of their recital session – students and families are expected to be on time and stay for the entire recital that their children are performing in. We are organizing the recital sessions to be about an hour long. \nCOOKIE RECEPTION \nEach family is asked to bring cookies for a reception that will follow the recital. There will be two reception rooms in the front hallway\, leading to the Sanctuary. Rooms will be labeled so that cookies can be placed in the room that corresponds to the student’s studio. Please bring cookies only. It is best if they are on a disposable tray. \nRECITAL ETIQUETTE \nLearning about and practicing recital etiquette is an important part of a student’s musical education\, so we ask that families read and discuss these guidelines with their children. \nPerformer Etiquette \n\nDress appropriately. Choose conservative over casual in terms of shoe styles\, hem length of dresses and straps for tops.\nAvoid jewelry that makes noise as you move; heels that are difficult to walk in; and sleeves that get in the way of playing.\nBe on time. Your teacher will let you know when and where to meet before the recital to warm up. This will be at least 30 minutes prior to the start of the recital. If you are playing with an accompanist\, you may be asked to arrive earlier to rehearse together.\nBe prepared. Make sure you have your music\, instrument and any necessary accessories before leaving home (bow\, rosin\, capo\, tuner\, etc.)\nBe respectful. Refrain from whispering\, talking\, or using electronic devices. Show the other performers the same courtesy you want to be shown.\nEnter and exit with confidence. You should bow at the end and acknowledge the accompanist (if you have one). Teachers will go over this in lessons.\n\nAudience Etiquette \n\nArrive on time or a little early. Late arrivals are distracting to the audience\, and they can be unnerving for the performer.\nTurn off cell phones and other electronic devices. Ring tones and electronic chirps are distracting; and texting\, reading emails and playing games while students are performing is disrespectful.\nDo not cause distractions. Bring something (a quiet game or book) to keep young children under 8 years old occupied. Children over 8 should be able to sit quietly and watch.\nTake disruptive infants or toddlers out of the recital as soon as they become fussy. Please sit close to an aisle so that you can leave without too much commotion. We will come to get you when your child performs.\nDo not talk\, whisper\, rattle papers or eat during the recital.\nStay for the entire performance to show respect for all of the musicians.\n\nPhotos and Video \n\nNo flash photography\, please\nA group photo\, with the teacher\, will be taken at the end of each recital session.
URL:https://cathedralofhope.org/event/hope-academy-spring-recitals-2/
CATEGORIES:Featured Events,Hope Academy
ATTACH;FMTTYPE=image/jpeg:https://cathedralofhope.org/wp-content/uploads/2018/12/Brianna-Piano-for-Recital-Photo-Cropped.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190525T090000
DTEND;TZID=America/Halifax:20190525T170000
DTSTAMP:20260502T202758
CREATED:20190430T210153Z
LAST-MODIFIED:20190430T210153Z
UID:10004835-1558774800-1558803600@cathedralofhope.org
SUMMARY:Pittsburgh Cello Fest 2019
DESCRIPTION:Hope Academy cellists ages 3 to 18 and their families are invited to perform and attend the 3rd annual Pittsburgh Cello Fest on Saturday\, May 25! This is a wonderful day of cello-centered community events held at Carnegie Mellon University \nThere are several ways to be involved: \n1) Suzuki cellists can register to perform in the Suzuki Play-In; \n2) Middle and high school cellists can sign up to perform in the Cello Choir and Improvisation Workshop; \n3) Families\, friends\, and cello enthusiasts can attend the full day of cello events\, which include a masterclass by PSO principal cellist Anne Martindale Williams and performances by the Pittsburgh Cello Quartet and Cello Fury; \n4) You can also help out by making a donation to the GoFundMe page!  Cello Fest is a volunteer-run\, community event that relies on support from the local music community. \n\nSchedule of Events\n9 am | Cello Choir rehearsal (for performers only) \n10 am | Official start of Cello Fest featuring a masterclass with Anne Martindale Williams \n11:20 am | Suzuki Play-In \n12 pm | Pizza lunch for the performers \n12:30 pm | Pittsburgh Cello Quartet performance \n1:30 pm | Improvisation workshop for middle and high school cellists \n2:30 pm | Cello Fury performance \n3:15 pm | Cello Choir performance conducted by Daniel Nesta Curtis \nClick here for the complete schedule and more information. All events will be held at Carnegie Mellon University’s School of Music in Alumni Concert Hall and Kresge Recital Hall in the Fine Arts building.
URL:https://cathedralofhope.org/event/pgh-cello-fest-2019/
LOCATION:Carnegie Mellon University’s School of Music\, 5000 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Hope Academy
ATTACH;FMTTYPE=image/jpeg:https://cathedralofhope.org/wp-content/uploads/2019/04/Cello-Fest-2018.jpg
GEO:40.4441647;-79.9433725
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carnegie Mellon University’s School of Music 5000 Forbes Ave Pittsburgh PA 15213 United States;X-APPLE-RADIUS=500;X-TITLE=5000 Forbes Ave:geo:-79.9433725,40.4441647
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