BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//East Liberty Presbyterian Church - ECPv6.16.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:East Liberty Presbyterian Church
X-ORIGINAL-URL:https://cathedralofhope.org
X-WR-CALDESC:Events for East Liberty Presbyterian Church
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20180311T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20181104T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20190310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20191103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20200308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20201101T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:America/Halifax
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20160313T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20161106T050000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20170312T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20171105T050000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20180311T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20181104T050000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20190310T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20191103T050000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0400
TZOFFSETTO:-0300
TZNAME:ADT
DTSTART:20200308T060000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0300
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:20201101T050000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191118T190000
DTEND;TZID=America/New_York:20191118T210000
DTSTAMP:20260521T215540
CREATED:20191109T020121Z
LAST-MODIFIED:20191109T020121Z
UID:10004960-1574103600-1574110800@cathedralofhope.org
SUMMARY:Chamber Music Pittsburgh Concert - Curtis on Tour
DESCRIPTION:Hope Academy families are invited to a chamber music concert featuring Curtis on Tour. Tickets have been generously donated to us by our partner\, Chamber Music Pittsburgh. This performance is recommended for students whose attention span and behavior is equivalent to an 8 year old .Please read about the performance\, so that you know what to expect; and the etiquette guidelines\, so that you understand the expectations; then RSVP  by Wednesday\, November 13 at 12 noon. \nCurtis on Tour is the Nina von Maltzahn global touring initiative of the Curtis Institute of Music. Grounded in the school’s “learn by doing” philosophy\, it offers students real-world\, professional touring experience alongside celebrated alumni and faculty. \nTo RSVP\, click HERE \nPROGRAM\nPenderecki Duo Concertante for violin and double bass\nBeethoven Septet\nPenderecki Sexte \nPERFORMERS\nSara Han\, Clarinet\nDoron Laznow\, Bassoon\nGabriel Kovach\, Horn (Curtis alumni)\nBenjamin Schmid\, Violin (Curtis alumni)\nHaeji Kim\, Viola\nJohn Lee\, Cello\nMarcus Elliott Gaved\, Double Bass\nBenjamin Krasner\, Piano \nCURTIS ON TOUR \nCurtis Institute of Music \nWith a small student body of about 175\, Curtis ensures that each young musician receives an education of unparalleled quality\, distinguished by a “learn by doing” philosophy and personalized attention from a faculty that includes a high proportion of actively performing musicians. \nCurtis students hone their craft through more than 200 orchestra\, opera\, and solo and chamber music offerings each year and programs that bring arts access and education to the community. This real-world training allows these extraordinary young musicians to join the front rank of performers\, composers\, conductors\, and musical leaders\, making a profound impact on music onstage and in their communities. \n \nHOW TO BE A GOOD AUDIENCE MEMBER \nIt is important that audience members remain quiet during the performance. Since music is mostly a listening activity\, any extra sounds that are not part of the music can get in the way and will distract and disturb the musicians and other audience members. \nBefore the Concert \n\nWear something you might wear to a special event – because it is!.\nPlease don’t wear anything that might be distracting (light up shoes\, clanging jewelry\, etc)\nArrive no later than 7:00 pm to get your tickets.\n\nBefore You Take Your Seat \n\nTake care of all rest room needs\nLeave all food\, drink\, and gum outside\, in the lobby.\nLeave all cameras and recording devices outside\, as well.\nThere are strict copyright guidelines about recording concerts.Turn off all cell phones\, pagers\, ipads\, watch sounds\, alarms\, or anything that might make a noise.\nThe only sounds that should be heard are the ones that appear in the musical score (and the audience reaction after the music).\n\nOnce You Take Your Seat \n\nA parent or guardian must sit next to each child.\nRemain seated and quiet while the musicians are playing.\nDo not get up during the concert or change seats.\nNo talking\, whispering\, sighing\, tapping or kicking feet\, or rattling of programs or papers.\nBe sure to sit without fidgeting so you don’t distract your neighbors or the performers on stage.\nFeel free to leave during intermission\, if this is a late night for your children; and if they fall asleep during the concert\, that’s okay too. This should be an enjoyable experience for them\, and you!
URL:https://cathedralofhope.org/event/chamber-music-pittsburgh/
LOCATION:Carnegie Music Hall\, 4400 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Hope Academy
ORGANIZER;CN="Chamber Music Pittsburgh":MAILTO:info@chambermusicpittsburgh.org
GEO:40.4431957;-79.949915
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carnegie Music Hall 4400 Forbes Ave Pittsburgh PA 15213 United States;X-APPLE-RADIUS=500;X-TITLE=4400 Forbes Ave:geo:-79.949915,40.4431957
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190506T193000
DTEND;TZID=America/Halifax:20190506T210000
DTSTAMP:20260521T215540
CREATED:20190425T221825Z
LAST-MODIFIED:20190425T221825Z
UID:10004832-1557171000-1557176400@cathedralofhope.org
SUMMARY:Chamber Music Pittsburgh - Bendix-Balgley\, Levin & Wiley
DESCRIPTION:Hope Academy families are invited to a chamber music concert featuring Noah Bendix-Balgley. Tickets have been generously donated to us by our partner\, Chamber Music Pittsburgh. This performance is recommended for students whose attention span and behavior is equivalent to an 8 year old.Please read about the performance\, so that you know what to expect; and the etiquette guidelines\, so that you understand the expectations; then RSVP here by Wednesday May 1 at 12 noon. \nTo RSVP\, click HERE \nNoah Bendix-Balgley\, violin\nRobert Levin\, piano\nPeter Wiley\, cello \nPROGRAM\nSchubert – Piano Trio No. 1 in B-flat major\, D. 898\nSchubert – Piano Trio No. 2 in E-flat major\, D. 929 \nNOAH BENDIX-BALGLEY \nFirst Concertmaster of the Berliner Philharmoniker\, Noah Bendix-Balgley has thrilled and moved audiences around the world with his performances. Since becoming a Laureate of the 2009 Queen Elisabeth Competition in Brussels and gathering top prizes at further international competitions\, Noah has appeared as a soloist with the Pittsburgh Symphony Orchestra\, the Orchestre Philharmonique de Radio France\, the Orchestre National de Belgique\, the Utah Symphony\, the Auckland Philharmonia\, and the Nagoya Philharmonic. In 2016\, Noah performed the world premiere of his own klezmer violin concerto\, Fidl-Fantazye with the Pittsburgh Symphony\, conducted by Manfred Honeck. Recent and forthcoming highlights include his concerto debut with the Berliner Philharmoniker in January 2018\, recital tours in Taiwan\, China\, and Europe and performances of his klezmer concerto with orchestras in the USA and with the China Philharmonic\, as well as his period instrument debut\, performing the Beethoven Violin Concerto with the Apollo’s Fire Orchestra in Cleveland. \nFrom 2011 until 2015\, Noah was Concertmaster of the Pittsburgh Symphony Orchestra. His Pittsburgh debut recital in January 2012 was named the “Best Classical Concert of 2012” by the Pittsburgh Post-Gazette. Noah also performed his own version of “The Star-Spangled Banner” for solo violin in front of 39\,000 fans at the 2013 Pittsburgh Pirates Opening Day at PNC Park. \nBorn in Asheville\, North Carolina\, Noah began playing violin at age 4. At age 9\, he played for Lord Yehudi Menuhin in Switzerland. Noah graduated from the Indiana University Jacobs School of Music and the Munich Hochschule. His principal teachers were Mauricio Fuks\, Christoph Poppen\, and Ana Chumachenco. In his spare time\, he enjoys playing klezmer music. He has played with world-renowned klezmer groups such as Brave Old World\, and has taught klezmer violin at workshops in Europe and in the United States.Noah performs on a Cremonese violin made in 1732 by Carlo Bergonzi. \nROBERT LEVIN \nPianist and Conductor Robert Levin has performed throughout the United States\, Europe\, Australia and Asia. His solo engagements include the orchestras of Atlanta\, Berlin\, Birmingham\, Boston\, Chicago\, Cleveland\, Detroit\, Los Angeles\, Montreal\, Utah and Vienna on the Steinway with such conductors as Semyon Bychkov\, James Conlon\, Bernard Haitink\, Sir Neville Marriner\, Seiji Ozawa\, Sir Simon Rattle and Esa-Pekka Salonen. On period pianos he has appeared with the Academy of Ancient Music\, English Baroque Soloists\, Handel & Haydn Society\, Orchestra of the Age of Enlightenment and the Orchestre Révolutionnaire et Romantique\, with Sir John Eliot Gardiner\, Christopher Hogwood\, Sir Charles Mackerras\, Nicholas McGegan\, and Sir Roger Norrington. \nA passionate advocate of new music\, Robert Levin has commissioned and premiered a large number of works. He has recorded the complete piano music of Dutilleux for ECM and joined pianist Ursula Oppens in a CD of Bernard Rands’ piano music for Bridge.  A renowned chamber musician\, his completions of Mozart fragments are published by Bärenreiter\, Breitkopf & Härtel\, Carus\, Peters\, and Wiener Urtext Edition\, and recorded and performed throughout the world. \nPETER WILEY \nCelebrated for his “accurate intonation and warmth of tone” (New York Times)\, Grammy-nominated cellist Peter Wiley attended the Curtis Institute at just 13 years of age\, under the tutelage of David Soyer. He continued his precocious accomplishments with his appointment as principal cellist of the Cincinnati Symphony at age 20\, after one year in the Pittsburgh Symphony.  He made his concerto debut at Carnegie Hall in 1986 with the New York String Orchestra conducted by Alexander Schneider. As a recitalist he has appeared at the Metropolitan Museum of Art and Lincoln Center’s Alice Tully Hall. A member of the Beaux Arts Trio from 1987 to 1998\, Mr. Wiley succeeded his teacher\, David Soyer\, as cellist of the Guarneri String Quartet from 2001 to 2009. He is also a member of the piano quartet Opus One\, with Ida Kavafian\, Steven Tenenbom and Anne-Marie McDermott. Mr. Wiley has enjoyed a long-term association with the Marlboro Music Festival and is currently on the faculties of the Bard College Conservatory of Music\, the University of Maryland\, and the Curtis Institute of Music. \nHOW TO BE A GOOD AUDIENCE MEMBER \nIt is important that audience members remain quiet during the performance. Since music is mostly a listening activity\, any extra sounds that are not part of the music can get in the way and will distract and disturb the musicians and other audience members. \nBefore the Concert \n\nWear something you might wear to a special event – because it is!.\nPlease don’t wear anything that might be distracting (light up shoes\, clanging jewelry\, etc)\nArrive no later than 7:00 pm to get your tickets.\n\nBefore You Take Your Seat \n\nTake care of all rest room needs\nLeave all food\, drink\, and gum outside\, in the lobby.\nLeave all cameras and recording devices outside\, as well.\nThere are strict copyright guidelines about recording concerts.Turn off all cell phones\, pagers\, ipads\, watch sounds\, alarms\, or anything that might make a noise.\nThe only sounds that should be heard are the ones that appear in the musical score (and the audience reaction after the music).\n\nOnce You Take Your Seat \n\nA parent or guardian must sit next to each child.\nRemain seated and quiet while the musicians are playing.\nDo not get up during the concert or change seats.\nNo talking\, whispering\, sighing\, tapping or kicking feet\, or rattling of programs or papers.\nBe sure to sit without fidgeting so you don’t distract your neighbors or the performers on stage.\nFeel free to leave during intermission\, if this is a late night for your children; and if they fall asleep during the concert\, that’s okay too. This should be an enjoyable experience for them\, and you!
URL:https://cathedralofhope.org/event/chamber-music-pittsburgh-bendix-balgley-levin-wiley/
LOCATION:Carnegie Music Hall\, 4400 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Hope Academy
ATTACH;FMTTYPE=image/jpeg:https://cathedralofhope.org/wp-content/uploads/2019/04/Noah-Bendix-Bagley.jpg
ORGANIZER;CN="Chamber Music Pittsburgh":MAILTO:info@chambermusicpittsburgh.org
GEO:40.4431957;-79.949915
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carnegie Music Hall 4400 Forbes Ave Pittsburgh PA 15213 United States;X-APPLE-RADIUS=500;X-TITLE=4400 Forbes Ave:geo:-79.949915,40.4431957
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190408T193000
DTEND;TZID=America/Halifax:20190408T210000
DTSTAMP:20260521T215540
CREATED:20190327T232023Z
LAST-MODIFIED:20190327T232023Z
UID:10004301-1554751800-1554757200@cathedralofhope.org
SUMMARY:Artemis String Quartet - Chamber Music Pittsburgh Concert
DESCRIPTION:Hope Academy families are invited to a chamber music concert featuring ARTEMIS STRING QUARTET. Tickets have been generously donated to us by our partner\, Chamber Music Pittsburgh. This performance is recommended for students whose attention span and behavior is equivalent to an 8 year old. \nPlease read about the performance\, so that you know what to expect; and the etiquette guidelines\, so that you understand the expectations; then RSVP here by Friday\, February 8 at 12 noon. \nTo RSVP\, click HERE \nARTEMIS STRING QUARTET\nVineta Sareika – violin\nAnthea Kreston – violin\nGregor Sigl – viola\nEckart Runge – violoncello \nPROGRAM\nBarber Adagio from Quartet No. 1\, Op. 11\nBritten Quartet No. 2 in C major\, Op. 36\nSchubert Quartet No. 14 in D minor\, D. 810 “Death and the Maiden” \n \nABOUT THE ARTIST \nArtemis Quartet gives concerts for all great musical centres and international festivals in Europe\, the United States\, Asia\, South America and Australia. Since 2004 the ensemble creates own cycles at the chamber music hall of Berlin Philharmonie\, since 2011 at Wiener Konzerthaus (together with Belcea Quartet) and with the beginning of season 2016/2017 at Prince Regent Theatre Munich. \nFrom the beginning the collaboration with musical colleagues has been a major inspiration for the ensemble. Thus\, Artemis Quartet has toured with notable musicians such as Sabine Meyer\, Elisabeth Leonskaja\, Juliane Banse and Jörg Widmann. Various recordings document the artistic cooperation with several partners\, for example the piano quintets by Schuhmann and Brahms with Leif Ove Andsnes\, the Schubert quintet with Truls Mørk or Arnold Schönberg’s ’Verklärte Nacht’ with Thomas Kakuska and Valentin Erben from Alban Berg Quartet. \nHOW TO BE A GOOD AUDIENCE MEMBER\nIt is important that audience members remain quiet during the performance. Since music is mostly a listening activity\, any extra sounds that are not part of the music can get in the way and will distract and disturb the musicians and other audience members. \nBefore the Concert\nWear something you might wear to a special event – because it is!. Please don’t wear anything that might be distracting (light up shoes\, clanging jewelry\, etc)\nArrive no later than 7:00 pm to get your tickets. \nBefore You Take Your Seat\nTake care of all rest room needs.\nLeave all food\, drink\, and gum outside\, in the lobby.\nLeave all cameras and recording devices outside\, as well. There are strict copyright guidelines about recording concerts.\nTurn off all cell phones\, pagers\, ipads\, watch sounds\, alarms\, or anything that might make a noise. The only sounds that should be heard are the ones that appear in the musical score (and the audience reaction after the music). \nOnce You Take Your Seat\nA parent or guardian must sit next to each child.\nRemain seated and quiet while the musicians are playing. Do not get up during the concert or change seats.\nNo talking\, whispering\, sighing\, tapping or kicking feet\, or rattling of programs or papers.\nBe sure to sit without fidgeting so you don’t distract your neighbors or the performers on stage. \nFeel free to leave during intermission\, if this is a late night for your children; and if they fall asleep during the concert\, that’s okay too. This should be an enjoyable experience for them\, and you!
URL:https://cathedralofhope.org/event/artemis-cmp/
LOCATION:Carnegie Music Hall\, 4400 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Hope Academy
ATTACH;FMTTYPE=image/jpeg:https://cathedralofhope.org/wp-content/uploads/2019/03/Artemis-String-Quartet-from-above.jpg
ORGANIZER;CN="Chamber Music Pittsburgh":MAILTO:info@chambermusicpittsburgh.org
GEO:40.4431957;-79.949915
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carnegie Music Hall 4400 Forbes Ave Pittsburgh PA 15213 United States;X-APPLE-RADIUS=500;X-TITLE=4400 Forbes Ave:geo:-79.949915,40.4431957
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20190211T193000
DTEND;TZID=America/Halifax:20190211T213000
DTSTAMP:20260521T215540
CREATED:20190206T174818Z
LAST-MODIFIED:20190206T174818Z
UID:10003763-1549913400-1549920600@cathedralofhope.org
SUMMARY:Chamber Music Pittsburgh - Symbarite5
DESCRIPTION:Hope Academy families are invited to a chamber music concert featuring SYMBARITE5. Tickets have been generously donated to us by our partner\, Chamber Music Pittsburgh. This performance is recommended for students whose attention span and behavior is equivalent to an 8 year old. \nPlease read about the performance\, so that you know what to expect; and the etiquette guidelines\, so that you understand the expectations; then RSVP here by Friday\, February 8 at 12 noon. \nTo RSVP\, click HERE \nSYMBARITE5\nSami Merdinian\, violin\nSarah Whitney\, violin\nAngela Pickett\, viola\nLaura Metcalf\, cello\nLouis Levitt\, bass \nPROGRAM\nThe program\, titled Outliers\, is a celebration of works written by Sybarite5’s favorite composers mixed with music from the friends they’ve made while traveling the world performing the music they love. Sybarite5 plays the music of artists such as Andy Akiho\, Shawn Conley\, Jessica Meyer\, Dan Visconti\, Piazzolla\, Elgar\, and Radiohead. \nIN A PROGRAM OF SERIAL HIGH POINTS\, THERE WERE TOO MANY TO MENTION…\n— THE WASHINGTON POST \nABOUT THE ARTIST\nDubbed the “Millennial Kronos\,” SYBARITE5’s eclectic repertoire from Bowie to Radiohead and Akiho to Assad combined with its commanding performance style is turning heads throughout the music world. The quintet’s debut album\, Disturb the Silence\, quickly reached the top ten on the Billboard charts. The group’s follow-up album\, Everything in its Right Place\, was released at Carnegie Hall to critical acclaim. SYBARITE5 recently completed its latest album\, Outliers\, featuring all new works from American composers.SYBARITE5 is deeply committed to education and outreach as well as performance. In addition to presenting masterclasses and workshops for over 60\,000 students ages 5-25\, they have worked closely with the composition departments of colleges and universities such as Luther College\, Penn State\, Samford University\, New College and others to give students firsthand experience writing for string quintet in a popular program called So You Think You Can Compose. SYBARITE5 brings its latest composer-driven social media project to life by launching a collaboration with Juilliard and composer Ray Lustig dubbed Composagrams. \n  \n  \nHOW TO BE A GOOD AUDIENCE MEMBER\nIt is important that audience members remain quiet during the performance. Since music is mostly a listening activity\, any extra sounds that are not part of the music can get in the way and will distract and disturb the musicians and other audience members. \nBefore the Concert\nWear something you might wear to a special event – because it is!. Please don’t wear anything that might be distracting (light up shoes\, clanging jewelry\, etc)\nArrive no later than 7:00 pm to get your tickets. \nBefore You Take Your Seat\nTake care of all rest room needs.\nLeave all food\, drink\, and gum outside\, in the lobby.\nLeave all cameras and recording devices outside\, as well. There are strict copyright guidelines about recording concerts.\nTurn off all cell phones\, pagers\, ipads\, watch sounds\, alarms\, or anything that might make a noise. The only sounds that should be heard are the ones that appear in the musical score (and the audience reaction after the music). \nOnce You Take Your Seat\nA parent or guardian must sit next to each child.\nRemain seated and quiet while the musicians are playing. Do not get up during the concert or change seats.\nNo talking\, whispering\, sighing\, tapping or kicking feet\, or rattling of programs or papers.\nBe sure to sit without fidgeting so you don’t distract your neighbors or the performers on stage. \nFeel free to leave during intermission\, if this is a late night for your children; and if they fall asleep during the concert\, that’s okay too. This should be an enjoyable experience for them\, and you!
URL:https://cathedralofhope.org/event/chamber-music-pittsburgh-symbarite5/
LOCATION:Carnegie Music Hall\, 4400 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Hope Academy
ATTACH;FMTTYPE=image/jpeg:https://cathedralofhope.org/wp-content/uploads/2019/02/Symbarite5-2.jpeg
ORGANIZER;CN="Chamber Music Pittsburgh":MAILTO:info@chambermusicpittsburgh.org
GEO:40.4431957;-79.949915
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carnegie Music Hall 4400 Forbes Ave Pittsburgh PA 15213 United States;X-APPLE-RADIUS=500;X-TITLE=4400 Forbes Ave:geo:-79.949915,40.4431957
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20181126T190000
DTEND;TZID=America/Halifax:20181126T210000
DTSTAMP:20260521T215540
CREATED:20181101T000236Z
LAST-MODIFIED:20181101T000236Z
UID:10002878-1543258800-1543266000@cathedralofhope.org
SUMMARY:Chamber Music Pittsburgh - Imani Winds
DESCRIPTION:Hope Academy families are invited to a chamber music concert featuring IMANI WINDS. Tickets have been generously donated to us by our partner\, Chamber Music Pittsburgh. This performance is recommended for students whose attention span and behavior is equivalent to an 8 year old. \nPlease read about the performance\, so that you know what to expect; and the etiquette guidelines\, so that you understand the expectations; then RSVP here by Tuesday\, November 13. \nTo RSVP\, click HERE \nImani Winds\nBrandon Patrick George\, flute (Joined Imani Winds in September\, replacing Valerie Coleman)\nToyin Spellman-Diaz\, oboe\nMark Dover\, clarinet\nJeff Scott\, french horn/composer\nMonica Ellis\, bassoon \nPROGRAM\nStartin’ Sumthin’ – Jeff Scott\nQuintet for Winds – John Harbison\nLa Nouvelle Orleans – Lalo Schifrin\nSechs Bagatellen – Gyorgi Ligeti\nThe Light is the Same – Reena Esmail\nTzigane – Valerie Coleman \nABOUT THE ARTIST\nSince 1997 Imani Winds\, the Grammy-nominated wind quintet\, has taken a unique path carving out a distinct presence in the classical music world with its dynamic playing\, culturally poignant programming\, adventurous collaborations\, and inspirational outreach programs. With two member composers and a deep commitment to commissioning new work\, the group is enriching the traditional wind quintet repertoire while meaningfully bridging American\, European\, African and Latin American traditions. From Mendelssohn to Astor Piazzolla to Wayne Shorter and Stravinsky\, Imani Winds seeks to engage new music and new voices into the modern classical idiom. \n \nHOW TO BE A GOOD AUDIENCE MEMBER\nIt is important that audience members remain quiet during the performance. Since music is mostly a listening activity\, any extra sounds that are not part of the music can get in the way and will distract and disturb the musicians and other audience members. \nBefore the Concert\nWear something you might wear to a special event – because it is!. Please don’t wear anything that might be distracting (light up shoes\, clanging jewelry\, etc)\nArrive no later than 7:00 pm to get your tickets. \nBefore You Take Your Seat\nTake care of all rest room needs.\nLeave all food\, drink\, and gum outside\, in the lobby.\nLeave all cameras and recording devices outside\, as well. There are strict copyright guidelines about recording concerts.\nTurn off all cell phones\, pagers\, ipads\, watch sounds\, alarms\, or anything that might make a noise. The only sounds that should be heard are the ones that appear in the musical score (and the audience reaction after the music). \nOnce You Take Your Seat\nA parent or guardian must sit next to each child.\nRemain seated and quiet while the musicians are playing. Do not get up during the concert or change seats.\nNo talking\, whispering\, sighing\, tapping or kicking feet\, or rattling of programs or papers.\nBe sure to sit without fidgeting so you don’t distract your neighbors or the performers on stage. \nFeel free to leave during intermission\, if this is a late night for your children; and if they fall asleep during the concert\, that’s okay too. This should be an enjoyable experience for them\, and you!
URL:https://cathedralofhope.org/event/33174/
LOCATION:Carnegie Music Hall\, 4400 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Hope Academy
ATTACH;FMTTYPE=image/jpeg:https://cathedralofhope.org/wp-content/uploads/2018/10/Imani-Winds-2.jpg
ORGANIZER;CN="Chamber Music Pittsburgh":MAILTO:info@chambermusicpittsburgh.org
GEO:40.4431957;-79.949915
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carnegie Music Hall 4400 Forbes Ave Pittsburgh PA 15213 United States;X-APPLE-RADIUS=500;X-TITLE=4400 Forbes Ave:geo:-79.949915,40.4431957
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20180430T193000
DTEND;TZID=America/Halifax:20180430T210000
DTSTAMP:20260521T215540
CREATED:20180425T142105Z
LAST-MODIFIED:20180425T142105Z
UID:10003567-1525116600-1525122000@cathedralofhope.org
SUMMARY:Les Violons du Roy Chamber Music Concert
DESCRIPTION:Hope Academy families are invited to a chamber music concert featuring Les Violins du Roy with  Bernard Labadie\, conductor\, and Isabelle Faust\, violin have been generously donated to us by our partner\, Chamber Music Pittsburgh. This performance is recommended for students whose attention span and behavior is equivalent to an 8 year old. \nPlease read about the performance\, so that you know what to expect; and the etiquette guidelines\, so that you understand the expectations; then RSVP here by Thursday\, April 26. \nPROGRAM \nA program of violin concerti and other works by Johann Sebastian Bach \nThree Leipzig Chorales\, BWV 651\, 660\, 655\nPassacaglia and Fugue in C minor\, BWV 582\nViolin Concerto in E major\, BWV 1042\nViolin Concerto in A minor\, BWV 1041\nContrapunctus XIV from “The Art of Fugue\,” BWV 1080\nConcerto for Two Violins\, Strings\, and Continuo in D minor\, BWV 1043 – with Pascale Giguère\, violin \nABOUT THE ARTIST \n\n\nLes Violons du Roy\, with Bernard Labadie\, conductor\nThe chamber orchestra Les Violons du Roy takes its name from the renowned string orchestra of the court of the French kings. The group\, which has a core membership of fifteen players\, was brought together in 1984 by founding conductor Bernard Labadie and specializes in the vast repertoire of music for chamber orchestra\, performed in the stylistic manner most appropriate to each era. Although the ensemble plays on modern instruments\, its approach to the works of the Baroque and Classical periods has been strongly influenced by current research into performance practice in the 17th and 18th centuries; in this repertoire Les Violons du Roy uses copies of period bows. The orchestra also regularly delves into the repertoire of the 19th and 20th centuries\, as witnessed by its recordings of works by Piazzolla\, Bartók\, and Britten. \n  \n\n\nHOW TO BE A GOOD AUDIENCE MEMBER\nIt is important that audience members remain quiet during the performance. Since music is mostly a listening activity\, any extra sounds that are not part of the music can get in the way and will distract and disturb the musicians and other audience members. \nBefore the Concert\nWear something you might wear to a special event – because it is!. Please don’t wear anything that might be distracting (light up shoes\, clanging jewelry\, etc)\nArrive no later than 7:00 pm to get your tickets. \nBefore You Take Your Seat\nTake care of all rest room needs.\nLeave all food\, drink\, and gum outside\, in the lobby.\nLeave all cameras and recording devices outside\, as well. There are strict copyright guidelines about recording concerts.\nTurn off all cell phones\, pagers\, ipads\, watch sounds\, alarms\, or anything that might make a noise. The only sounds that should be heard are the ones that appear in the musical score (and the audience reaction after the music). \nOnce You Take Your Seat\nA parent or guardian must sit next to each child.\nRemain seated and quiet while the musicians are playing. Do not get up during the concert or change seats.\nNo talking\, whispering\, sighing\, tapping or kicking feet\, or rattling of programs or papers.\nBe sure to sit without fidgeting so you don’t distract your neighbors or the performers on stage. \nFeel free to leave during intermission\, if this is a late night for your children; and if they fall asleep during the concert\, that’s okay too. This should be an enjoyable experience for them\, and you!
URL:https://cathedralofhope.org/event/les-violons-du-roy-chamber-music-fieldtrip/
LOCATION:Carnegie Music Hall\, 4400 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Hope Academy
ORGANIZER;CN="Chamber Music Pittsburgh":MAILTO:info@chambermusicpittsburgh.org
GEO:40.4431957;-79.949915
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carnegie Music Hall 4400 Forbes Ave Pittsburgh PA 15213 United States;X-APPLE-RADIUS=500;X-TITLE=4400 Forbes Ave:geo:-79.949915,40.4431957
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20180205T193000
DTEND;TZID=America/Halifax:20180205T210000
DTSTAMP:20260521T215540
CREATED:20180116T171433Z
LAST-MODIFIED:20180116T171433Z
UID:10003480-1517859000-1517864400@cathedralofhope.org
SUMMARY:The Diaz Trio Field Trip
DESCRIPTION:Hope Academy families are invited to a chamber music concert featuring The Diaz Trio. Tickets have been generously donated to us by our partner\, Chamber Music Pittsburgh. This performance is recommended for students whose attention span and behavior is equivalent to an 8 year old. \nPlease read about the performance\, so that you know what to expect; and the etiquette guidelines\, so that you understand the expectations; then RSVP here by Thursday\, February 1. \nPROGRAM \nAndrés Cárdenes violin; Roberto Díaz\, viola; Andrés Díaz\, cello \nFranz Schubert – String Trio (fragment) D. 471\nKrzysztof Penderecki – String Trio\nWolfgang Amadeus Mozart – Divertimento in E flat major\, K. 563 \n“…violist Roberto Díaz and cellist Andrés Díaz dispatched the intricate figuration deftly\, their interplay with [Andrés] Cárdenes seamless … the final two movements were played with robust energy\, the blend of instrumental timbres always richly luminous and beautiful.”\nSouth Florida Classical Review \nABOUT THE ARTIST\nOne of the few professional string trios in existence\, the Díaz Trio is internationally revered as one of finest chamber ensembles performing today\, garnering magnificent praise from critics and audiences alike. Composed of three dynamic artists\, violinist Andrés Cárdenes\, violist Roberto Díaz\, and cellist Andrés Díaz\, the trio performs regularly in recital and at festivals around the world. In 1993\, at the invitation of Isaac Stern\, the trio performed at Carnegie’s Weill Recital Hall to celebrate the next one hundred years of music making at Carnegie Hall. Other highlights include performances in Los Angeles\, Seattle\, Pittsburgh\, Boston\, Austin\, and Lincoln Center in New York\, as well as the Mostly Mozart Festival at the Kennedy Center\, the Newport Festival\, Cape and Islands Chamber Music Festival\, Festival de San Miguel de Allende in Mexico\, St. Cyprien International Festival of the Arts on France\, the Kuhmo Festival in Finland and an extensive tour of Chile. Recent debut tours of Canada\, in collaboration with Canadian pianist Angela Cheng and guitarist Norbert Kraft\, were a resounding success. The Díaz Trio also performs regularly at both the Corcoran Gallery and Phillips Collection in Washington\, DC. The Díaz Trio serves as Trio in Residence at the Brevard Music Center in North Carolina. \nHOW TO BE A GOOD AUDIENCE MEMBER\nIt is important that audience members remain quiet during the performance. Since music is mostly a listening activity\, any extra sounds that are not part of the music can get in the way and will distract and disturb the musicians and other audience members. \nBefore the Concert\nWear something you might wear to a special event – because it is!. Please don’t wear anything that might be distracting (light up shoes\, clanging jewelry\, etc)\nArrive no later than 7:00 pm to get your tickets. \nBefore You Take Your Seat\nTake care of all rest room needs.\nLeave all food\, drink\, and gum outside\, in the lobby.\nLeave all cameras and recording devices outside\, as well. There are strict copyright guidelines about recording concerts.\nTurn off all cell phones\, pagers\, ipads\, watch sounds\, alarms\, or anything that might make a noise. The only sounds that should be heard are the ones that appear in the musical score (and the audience reaction after the music). \nOnce You Take Your Seat\nA parent or guardian must sit next to each child.\nRemain seated and quiet while the musicians are playing. Do not get up during the concert or change seats.\nNo talking\, whispering\, sighing\, tapping or kicking feet\, or rattling of programs or papers.\nBe sure to sit without fidgeting so you don’t distract your neighbors or the performers on stage. \nFeel free to leave during intermission\, if this is a late night for your children; and if they fall asleep during the concert\, that’s okay too. This should be an enjoyable experience for them\, and you!Sean
URL:https://cathedralofhope.org/event/diaz-trio-field-trip/
LOCATION:Carnegie Music Hall\, 4400 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
ATTACH;FMTTYPE=image/jpeg:https://cathedralofhope.org/wp-content/uploads/2018/01/diaz-trio-2-678x381.jpg
ORGANIZER;CN="Chamber Music Pittsburgh":MAILTO:info@chambermusicpittsburgh.org
GEO:40.4431957;-79.949915
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carnegie Music Hall 4400 Forbes Ave Pittsburgh PA 15213 United States;X-APPLE-RADIUS=500;X-TITLE=4400 Forbes Ave:geo:-79.949915,40.4431957
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20171127T193000
DTEND;TZID=America/Halifax:20171127T210000
DTSTAMP:20260521T215540
CREATED:20171019T210940Z
LAST-MODIFIED:20171019T210940Z
UID:10003395-1511811000-1511816400@cathedralofhope.org
SUMMARY:Sean Jones and Friends Field Trip
DESCRIPTION:Hope Academy families are invited to a concert featuring Classical Sean Jones and Friends. Tickets have been generously donated to us by our partner\, Chamber Music Pittsburgh. This performance is recommended for students whose attention span and behavior is equivalent to an 8 year old. \nPlease read about the performance\, so that you know what to expect; and the etiquette guidelines\, so that you understand the expectations; then RSVP here by Sunday\, November 18. \nABOUT THE ARTIST\nSean Jones\nMusic and spirituality have always been fully intertwined in the artistic vision of trumpeter\, composer\, educator and activist Sean Jones. Singing and performing as a child with the church choir in his hometown of Warren\, Ohio\, Sean switched from the drums to the trumpet upon his first exposure to Miles Davis at the age of 10. Twenty-five years later\, he still cites Miles’ overall artistic vision and purity of sound as his greatest personal influence. But it was another immortal visionary who had a most profound impact when Sean was a 19-year old student at Youngstown State University – the magnificent John Coltrane through his masterpiece\, A Love Supreme. Says Jones\, “All at once\, everything just came together for me. My past\, my present\, my future. I knew the course I needed to pursue.” Already exhibiting a superb control of the instrument through his private studies with master trumpeter and educator Esotto Pellegrini and his intensive listening to his other primary influences\, Woody Shaw\, Freddie Hubbard and Clifford Brown\, the young trumpeter committed himself to artistic excellence the pursuit of transcendence. Five years later\, after receiving his Master’s Degree from Rutgers University\, Sean had a 6-month stint with the Lincoln Center Jazz Orchestra. This marked the beginning of a relationship with Wynton Marsalis\, whose personal work ethic and ability to break barriers had already made a significant impact on the emerging artist. Wynton offered Sean a permanent position as lead trumpeter and Jones remained there until 2010. A highly respected and in-demand musician even while at Rutgers\, Sean was prominently featured with a number of artists\, recording and/or performing with many major figures\, including Illinois Jacquet\, Jimmy Heath\, Frank Foster\, Nancy Wilson\, Dianne Reeves\, Gerald Wilson and Marcus Miller. The relationship with Miller led to another highly impacting experience when Sean was selected by Miller\, Herbie Hancock and Wayne Shorter for their Tribute to Miles tour in 2011. The trust and support of those giants led Sean to a decision to focus on performing with his own ensembles. Already touring and performing regularly with his own groups while at Lincoln Center\, Sean also began his longtime relationship with Mack Avenue Records\, for whom he has just released his seventh recording: im.pro.vise = never before seen. He’s currently performing with the quartet on his latest CD\, who have been working together since 2007 – with pianist Orrin Evans\, bassist Luques Curtis and drummer Obed Calvaire. But Sean is also looking toward projects with new and larger ensembles\, including orchestras. In addition\, he’s planning on more forays into the world of Western classical music\, while working on solidifying his pedagogy and increasing his lecturing and writing activities. Heavily involved in education\, Sean has recently joined the Berklee College of Music’s distinguished faculty as the Chair of the Brass Department. He has also taught at Duquesne University in his adopted hometown of Pittsburgh and at the Oberlin Conservatory of Music\, while regularly offering master classes and clinics all around the world. In addition\, Sean also serves as Artistic Director of both the Pittsburgh and Cleveland Jazz Orchestras and is working toward organizing the various Jazz orchestras all over the country. Sean is current Artist-in-Residence at San Francisco Performances and is a member of The SF JAZZ Collective. Clearly a passionately committed\, heavily focused and deeply spiritual man\, Sean relies upon his serious study of philosophy – especially that of 13th century theologian and mystic Meister Eckhardt; and Don Miguel Ruiz\, whose vision is drawn from the ancient wisdom of the Toltec native people of Southern Mexico – to fuel the pursuit of his expansive and generous vision. Sean currently lives in Boston with his wife Stacey. \n  \nHOW TO BE A GOOD AUDIENCE MEMBER\nIt is important that audience members remain quiet during the performance. Since music is mostly a listening activity\, any extra sounds that are not part of the music can get in the way and will distract and disturb the musicians and other audience members. \nBefore the Concert\nWear something you might wear to a special event – because it is!. Please don’t wear anything that might be distracting (light up shoes\, clanging jewelry\, etc)\nArrive no later than 7:00 pm to get your tickets. \nBefore You Take Your Seat\nTake care of all rest room needs.\nLeave all food\, drink\, and gum outside\, in the lobby.\nLeave all cameras and recording devices outside\, as well. There are strict copyright guidelines about recording concerts.\nTurn off all cell phones\, pagers\, ipads\, watch sounds\, alarms\, or anything that might make a noise. The only sounds that should be heard are the ones that appear in the musical score (and the audience reaction after the music). \nOnce You Take Your Seat\nA parent or guardian must sit next to each child.\nRemain seated and quiet while the musicians are playing. Do not get up during the concert or change seats.\nNo talking\, whispering\, sighing\, tapping or kicking feet\, or rattling of programs or papers.\nBe sure to sit without fidgeting so you don’t distract your neighbors or the performers on stage. \nFeel free to leave during intermission\, if this is a late night for your children; and if they fall asleep during the concert\, that’s okay too. This should be an enjoyable experience for them\, and you!Sean
URL:https://cathedralofhope.org/event/sean-jones-friends-field-trip/
LOCATION:Carnegie Music Hall\, 4400 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Featured Events,Hope Academy
ATTACH;FMTTYPE=image/png:https://cathedralofhope.org/wp-content/uploads/2017/10/Sean-Jones.png
ORGANIZER;CN="Chamber Music Pittsburgh":MAILTO:info@chambermusicpittsburgh.org
GEO:40.4431957;-79.949915
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carnegie Music Hall 4400 Forbes Ave Pittsburgh PA 15213 United States;X-APPLE-RADIUS=500;X-TITLE=4400 Forbes Ave:geo:-79.949915,40.4431957
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20171002T190000
DTEND;TZID=America/Halifax:20171002T210000
DTSTAMP:20260521T215540
CREATED:20170928T183147Z
LAST-MODIFIED:20170928T183147Z
UID:10003388-1506970800-1506978000@cathedralofhope.org
SUMMARY:Orion Quartet with Tara O'Connor Field Trip
DESCRIPTION:Hope Academy families are invited to a concert featuring Orion Quartet with Tara O’Connor\, flute. Tickets have been generously donated to us by our partner\, Chamber Music Pittsburgh. This performance is recommended for students whose attention span and behavior is equivalent to an 8 year old. \nPlease read about the performance\, so that you know what to expect; and the etiquette guidelines\, so that you understand the expectations; then RSVP here by Sunday\, October 1. \nAbout The Artists:\nThe Orion Quartet\nDaniel Phillips (Violin); Todd Phillips (Violin); Steven Tenenbom (Viola); Timothy Eddy (Cello) \nSince its inception\, the Orion Quartet has been consistently praised for the extraordinary musical integrity it brings to performances\, offering diverse programs that juxtapose classic works of the standard quartet literature with masterworks by twentieth and twenty-first century composers. The Quartet remains on the cutting edge of programming with wide-ranging commissions from composers Chick Corea\, Brett Dean\, David Del Tredici\, Alexander Goehr\, Thierry Lancino\, John Harbison\, Leon Kirchner\, Marc Neikrug\, Lowell Liebermann\, Peter Lieberson and Wynton Marsalis\, and enjoys a creative partnership with the Bill T. Jones/Arnie Zane Dance Company. The members of the Orion String Quartet—violinists Daniel Phillips and Todd Phillips (brothers who share the first violin chair equally)\, violist Steven Tenenbom and cellist Timothy Eddy—have worked closely with such legendary figures as Pablo Casals\, Sir András Schiff\, Rudolf Serkin\, Isaac Stern\, Pinchas Zukerman\, Peter Serkin\, members of TASHI and the Beaux Arts Trio\, as well as the Budapest\, Végh\, Galimir and Guarneri String Quartets. \nFormed in 1987\, the Quartet chose its name from the Orion constellation as a metaphor for the unique personality each musician brings to the group in its collective pursuit of the highest musical ideals. \nTara Helen O’Connor\, flute\nTara Helen O’Connor is a charismatic performer noted for her artistic depth\, brilliant technique\, and colorful tone spanning every musical era. Winner of an Avery Fisher Career Grant and a two-time Grammy nominee\, she is now a season artist of the Chamber Music Society of Lincoln Center. A Wm. S. Haynes flute artist\, Tara regularly participates in the Santa Fe Chamber Music Festival\, Music@Menlo\, the Chamber Music Festival of the Bluegrass\, Spoleto USA\, Chamber Music Northwest\, Mainly Mozart Festival\, Music from Angel Fire\, the Banff Centre\, the Great Mountains Music Festival\, Chesapeake Music Festival and the Bravo! Vail Valley Music Festival. \nA much sought after chamber musician and soloist\, Tara is a founding member of the Naumburg Award-winning New Millennium Ensemble\, a member of the woodwind quintet Windscape and the legendary Bach Aria Group. She has premiered hundreds of new works and has collaborated with the Orion String Quartet\, St. Lawrence Quartet and Emerson Quartet. Tara has appeared on A&E’s Breakfast with the Arts\, Live from Lincoln Center and has recorded for Deutsche Gramophon\, EMI Classics\, Koch International\, CMS Studio Recordings with the Chamber Music Society of Lincoln Center and Bridge Records. \nHOW TO BE A GOOD AUDIENCE MEMBER\nIt is important that audience members remain quiet during the performance. Since music is mostly a listening activity\, any extra sounds that are not part of the music can get in the way and will distract and disturb the musicians and other audience members. \nBefore the Concert\nWear something you might wear to a special event – because it is!. Please don’t wear anything that might be distracting (light up shoes\, clanging jewelry\, etc)\nArrive no later than 7:00 pm to get your tickets. \nBefore You Take Your Seat\nTake care of all rest room needs.\nLeave all food\, drink\, and gum outside\, in the lobby.\nLeave all cameras and recording devices outside\, as well. There are strict copyright guidelines about recording concerts.\nTurn off all cell phones\, pagers\, ipads\, watch sounds\, alarms\, or anything that might make a noise. The only sounds that should be heard are the ones that appear in the musical score (and the audience reaction after the music). \nOnce You Take Your Seat\nA parent or guardian must sit next to each child.\nRemain seated and quiet while the musicians are playing. Do not get up during the concert or change seats.\nNo talking\, whispering\, sighing\, tapping or kicking feet\, or rattling of programs or papers.\nBe sure to sit without fidgeting so you don’t distract your neighbors or the performers on stage. \nFeel free to leave during intermission\, if this is a late night for your children; and if they fall asleep during the concert\, that’s okay too. This should be an enjoyable experience for them\, and you!
URL:https://cathedralofhope.org/event/orion-quartet-tara-oconnor-field-trip/
LOCATION:Carnegie Music Hall\, 4400 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Featured Events,Hope Academy
ATTACH;FMTTYPE=image/jpeg:https://cathedralofhope.org/wp-content/uploads/2017/09/Orion-Quartet-Tara-Oconnor.jpg
ORGANIZER;CN="Chamber Music Pittsburgh":MAILTO:info@chambermusicpittsburgh.org
GEO:40.4431957;-79.949915
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Carnegie Music Hall 4400 Forbes Ave Pittsburgh PA 15213 United States;X-APPLE-RADIUS=500;X-TITLE=4400 Forbes Ave:geo:-79.949915,40.4431957
END:VEVENT
END:VCALENDAR